She is supposed to be his safe haven, the place he can go to when he is exhausted. Didn’t he tell her once that she was the shore, or had she imagined that after he played her a song with such words? Has she afforded him a depth of feeling and meaning that he has never really possessed?
What would it be like if she could see him going about his day just now. The care he gives to others, the attention he bestows on anyone not her. Perhaps, just a little, he hates her. Despises how she has led him down a path he cannot return from. Cannot make up from. He forgets all this in her arms, of course, or when he is alone in another clean, wide-bed hotel room and he has had one too many wines to fall asleep. In these moment she is all he can think of. His dark-eyed lover, the one whose body he has traversed and drowned in and drunk from, all these years. Sometimes the ache for her is no different from thirst or hunger. A primal need her skin and scent satisfies.
Other times, like now, when she sends her SOS from across the ocean, he wishes she would leave him be, thinks of life before her, and after her, too, if he could just say the words he needs to. Why doesn’t she understand? Why does she keep coming back for more? She cannot lose him, he was never hers to begin with, he never offered himself the way she offered herself to him. This is not his fault. What is he supposed to do? Leave his wife and children for a woman he barely knows, barely even likes, if he’s honest?
If he’s honest.
Thanks to her, he feels as if he has never been honest a single day of his life.
~ Elliott, What We Have Left
What we have left, indeed!
This, this was the day your life changed. Slowly, then all in a rush. You used to think it was the day before you met him. You used to think about the lack of hunger, the lack of yearning, the something missing-ness of your life. You got so used to recognizing him, the back of him, in any room, in any anecdote or situation that you forgot who you were the day before. Let me tell you. If I could sit down with you on that last day, when you did not know him, did not think of him in some way.
You were healing, piecing yourself back together. And it suited him to keep you broken.
Full circle. Or something similar.
Here’s what happens when they know who you are. It changes. Everything changes. They begin to dig into your life. Because ‘Dead Girl’ needs a bigger story to keep it interesting. The fact of her loss could never be enough. So they pick through my past, sift through my bones, the reporters and editors who don’t get this kind of treat nearly enough, the shock and tragedy of pretty, dead, white girls.
I have made some things easy for these storytellers. No mother (suicide!), no father (where is he?), and there is a predictable small-town history to snack on. Enough people who went to school with me, or knew me when, to keep the theories coming. But most revelations come as a disappointment, no matter the digging. Good student. No record of trouble. Scant evidence of running around with boys. Not a single scandal of my own, until-
And here, Mr. Jackson sits in his studio, waiting for the knock. Charcoal fingers twisting, a package of photographs in a locked box under his bed. Knowing he can’t throw the package away, considering burial or burning, but never quite able to bring himself to unlock that box, open it up. Afraid to look at me the way he used to. To see me alive and vital, and to remember the way I used to look back at him. He knows these pictures are a ticking bomb, a catalogue of his errors, and he knows, inevitably, the knock will come.
Still, when they show up at his door in their blue suits, with their notebooks and guns tucked into belts, he is unprepared.
~ Alice, What We Have Left